New friends. Old renditions.

I’ve been making new friends this week. Musician friends that is. I went to play with a new ensemble, went to hear a great New Orleans jazz band in Oakland, and scheduled a few upcoming meet ups to play with a couple of piano players and other bands. I took this little amp and some new songs with me to play with the new jazz ensemble.AmpChartsI’ve also been doing more research on renditions of songs I’m including in my set list. I went back to one of my all time favorite jazz standards, How High The Moon and my favorite rendition of it by Mary Ford and Les Paul. I just love Mary’s voice on this version and if you watch the video you can see Les Paul using some early multitrack recording tactics, which he pioneered. HowHighTheMoonI’ve also been listening to some older Norah Jones songs. I might have to add my own version of Come Away With Me to my set.

NorahJones

That’s all folks. Have a great week. See you on the flip side.

 

 

La La Land, Mini Musical Instruments, and Judy, Judy, Judy.

The last two weeks have included doing research on arrangements of jazz standards, learning a digital music scoring program, and a trip to Los Angeles for a bit of vacation.

I have a long list of jazz standards I want to perform so I’ve been writing out the music for them. All of my years playing folk music had me writing song charts for musicians to play with me, but charts for jazz can be a bit more complex. It’s been taking me a bit longer to do them. I’ve been on a re-learning curve, brushing up on my music theory knowledge. In the past, I would have just written out my charts by hand, but I have quite a bit of songs to do so I’m learning a digital scoring program called MuseScore in order to write them faster.

In coming up with how I want to arrange the songs for performance, I’ve been doing a ton of research on how different artists have done them, both current and old renditions. For example, I’m meeting some new musicians this week to play with and have chosen “Fly Me To The Moon” as one of the songs to sing with them. It’s such a popular song that so many people have recorded so there are lots of versions to choose from. Of course Frank Sinatra made it quite popular. But given that I’m not a Frank fan (yes, I did just say that. I’ll probably never be allowed back in NYC after saying this publicly), I dug up many versions of it that I like better. Judy Judy Judy Garland did a beautiful slow version of it that brings a bit of sadness and drama to it. Anita O’Day did a version of it mixing up time signatures and where she kills it leading the band. The technical expertise she had blows my mind. Jason Mraz even did a few versions of it. One where he did a mash-up with “Won’t You Be My Neighbor” and another where Cobie Caillat joined him on the mash-up with her song “Lucky”. I’ve linked videos for all of these with the artists names and songs above if you want to check them out. I’ll keep you updated on how my version goes of it.

My short short trip to LA last weekend was for a bit of vacation, where I stayed in a really fun Airbnb with lots of charming vintage furniture and knick-knacks. My favorite was the collection of mini instruments like a tiny piano and a tiny accordion. Since it wasn’t my house and they weren’t my belongings, I didn’t touch them, but I couldn’t help but take pictures of them. Also, always great sunsets and street art in LA. Upon returning to the SF International Airport, there was a really cool exhibit put on my SFMoma of old vintage typewriters. I feel as if I need one, so don’t be surprised if you see one of these show up in my future posts or pix on social media. If you find yourself in that airport anytime soon, you should check it out.

Anyway, that’s all folks. Talk to you on the flip side.

Rachel